Years
ago,
I
wanted
to
be a
Rock
N'
Roller.
Sorry
if
that
sounds
corny,
or
cliché,
but
it
is
fact.
I
wrote
lyrics
pretty
much
on a
daily
basis
and
have
always
tried
my
best
to
master
the
art
of
guitar,
to
no
avail. Unfortunately
though,
I
think
I
always saw
Rock
N’
Roll
as
more
of
an
attitude,
than...well,
pretty
much
ANYTHING
else.
I
mean,
I
enjoyed
and
respected
Rock
History
and
I
respected
the
musicians
like
none
other,
just
when
it
came
to
me
and
my
circle
of
friends,
it
always
seemed
that
the
party
and
the
partying
would
never
allow
us
the
time
to
actually
get
our
shit
together
at
some
point.
Then,
when
the
party
did
not
stop
us,
a
whole
FTW
mentality
stepped
in
and
did
its
part
to
derail
our
Rock
N'
Roll
dominance.
Once
again,
it
may
sound
corny
or
cliché,
but
it
is
fact.
I
may
get
more
into
all
of
this
in
the
near
future,
but
for
right
now
I
want
to
talk
about
something
else.
I
want
to
talk
about
how
this
SplatterTribe
mess
was
actually formed.
OK,
my
memory
is
probably
going
to
be a
little
sketchy
at
times
here,
so
some
details
and
timeframes
may
be a
little
off,
but
I'll
try
my
best
to
remain
as
factual
as
possible.
This
story goes
back
to
my
late
high
school
years.
There
were
2
situations
that
occurred
that
would
introduce
me
to
the
idea
of
covering
music
and
art.
One
situation
was
when
my
buddy
Dillard
Logsdon
showed
me a
Death
Metal
fanzine
that
was
done
by another
buddy
of
ours
by
the
name
of
Mike
May.
The
fanzine
was
called
Infected
Voice
(or
IV
for
short)
and
it
wound
up
becoming
a
blueprint,
for
a
more
diverse
idea,
that
would
actually
be
the
first
steps
in
the
SplatterTribe
journey.
Also,
somewhere
along
this
timeframe,
I
was
introduced
to a
guy
named
Shawn
Wilkerson.
Shawn
was
a
music
enthusiast
but
was
about
as
musically
talented
as a
goldfish.
I
really
don't
remember
who
brought
it
up
to
whom,
it
seems
like
he
may
have
brought
up
the
idea,
but
it
could
have
been
me;
not
for
sure.
I
just
know
that
we
had
deep
discussions
about
doing
a
magazine
to
cover
music.
Nothing
ever
came
out
of
that
at
the
time
though,
because
I
was
way
more
interested
in
playing
music
than
I
was
covering
music.
As I
said,
details
may
be
sketchy,
but
those
2
situations
are
my
first
memories
of
'the
idea'
of
doing
something
like
this.
Now
let's
fast
forward
to a
few
months
later;
or
maybe
a
year
later...Damned
if I
remember...
Anyway,
there
was
one
infamous
night
that
a
couple
of
buddies
and
I,
were
driving
around
our
hometown;
probably
bored
to
death
or
something.
It
was
me,
Dillard
and
another
buddy
named
Chris
Riggs.
I
remember
I
was
in
the
backseat,
Riggs
was
driving
and
Dillard
was
riding
shotgun
and
for
some
reason,
they
started
talking
about
doing
a
magazine.
I
joined
in
on
the
conversation,
and
then
the
next
thing
you
know, we
wound
up
going
to
Riggs'
mom's
place
and
for
the
rest
of
the
night,
we
sat
on
their
living
room
floor
coming
up
with
our
first
flyer.
I
remember
we
came
up
with
the
title
'Down
To
Earth
Magazine'
and
Riggs
scribbled
it
onto
the
paper.
We
added
the
bi-line
'We're
cracking
through
the
first
layer
to
get
down
to
the
Underground'...or
something
like
that...
Once
again,
memory
is
sketchy.
None
of
us
could
really
draw,
so
we
wound
up
cutting
some
skulls
and
a
tribal
design
out
of a
tattoo
magazine
and
gluing
it
to
the
flyer
for
decor.
The
plan
was
an
All-Range,
All
Styles,
Unbiased,
Unprejudiced,
Music,
Art,
Writing
and
Poetry
magazine.
The
flyer
looked
so
sloppy,
that
it
was
cool
as
Hell.
At
the
bottom
of
the
flyer,
we
put
all
three
of
our
home
addresses
for
the
contact
info,
basically
because
we
all
three
wanted
free
stuff.
We
had
also
come
up
with
THF
Productions
as
our
company
name.
How
did
we
come
up
with
THF
Productions?
I
believe,
when
originally
trying
to
draw
the
logo
(we
were
going
with
'THE
DOWN
TO
EARTH
MAGAZINE'
at
first)
Riggs
stopped
after
he
drew
'THE'
on
one
page
and
scrapped
it,
except
the
‘E’
looked
like
an
‘F’.
We
looked
at
the
THF
on
the
scrap
piece
of
paper
and
for
some
reason
thought
it
was
brilliant.
After
trying
to
decide
something
for
the
THF
to
stand
for,
we
decided
it
would
stand
for
Tom,
Harry
and
Frank.
Whose
Tom,
Harry
and
Frank?
Well,
that
would
be
us.
That
would
be
our
new
monikers.
I
believe
Riggs
was
Tom.
I
was
Harry
(Hey…wait
a
minute
here…)
and
Dillard
was
Frank.
So
we
wound
up
making
a
bunch
of
copies
of
that
original
flyer,
when
days
later,
another
buddy
of
ours
named
Chris
Adams
informed
us
that
he
thought
Down
To
Earth
was
already
the
title
of a
mens
magazine,
or
something.
This
was
probably
a
week
or
so
later
actually.
Anyway,
this
led
to a
search
for
a
new
name.
We
also
had
our
first
interview
looming
soon,
so
we
had
to
think
quickly.
That's
when
Randomosity
came
into
the
picture…
Riggs
brought
up
the
name.
Another
person
in
our
immediate
circle,
by
the
name
of
A.J.
Palumbo
(can’t
remember
her
maiden
name)
had
come
up
with
the
word
and
for
some
reason,
without
even
asking
her
permission,
I
guess,
we
decided
to
use
it.
Well,
in
all
actuality
I
was
under
the
assumption
it
was
cool.
Nonetheless,
we
had
a
new
name,
even
cooler
than
the
first.
We
were
still
Tom,
Harry
and
Frank,
but
we
were
now
responsible
for
the
ALL
NEW
Randomosity
Magazine!
We
started
gathering
our
friends
to
try
and
get
them
involved.
I
know
our
buddy
Ray
Turpin,
who
was
a
certifiable
lunatic,
was
going
to
be
doing
an
advice
column
and
several
other
friends
were
coming
up
with
their
own
ideas.
It
was
seeming
like
this
might
turn
into
a
group
effort.
It
never
really
did
though,
but
that’s
beside
the
point.
Actually,
Ray
wound
up
running
away
from
all
civilization
before
we
could
really
discuss
doing
the
column.
He
finally
snapped,
I
guess…
It
seems
he
spent
the
next
few
years
living
with
a
family
rabid
beavers
on a
creek
bank
in
the
back
woods
of
Kentucky.
No
one
could
really
get
close
enough
to
him
to
help
either,
because,
well,
he
lived
with
a
family
of
rabid
beavers.
There
were
a
few
pictures
circling
around
our
group
at
the
time
though,
which
were
supposed
to
be
of
Ray.
I
don’t
want
to
get
into
details,
but
the
pictures
featured
him
apparently
trying
to
build
a
dam
while
using
his
bare
ass
as a
beaver
tail.
He
had
some
sort
of
string
hanging
out
of
his
mouth
as
well.
It
was
all
very
weird.
I
guess
he
really
did
believe
himself
to
be a
beaver.
Hated
to
see
that
happen
to
such
a
cool
guy…
Anyway,
back
to
the
story…
As I
previously
stated,
we
also
had
our
first
‘real’
interview
on
the
way.
See,
an
advantage
we
had
back
in
the
day,
was
that
Dillard
worked
at a
local
music
store
called
Disc
Jockey.
Disc
Jockey
had
this
big
yellow
book
that
contained
the
phone
numbers
for
every
known
record
label,
at
the
time
and
Dillard
scored
us
copies
of
these
pages.
That
meant
we
could
call
any
record
company
we
wanted,
at
anytime…
It
just
so
happened
that
there
was
an
upcoming
show
at
the
infamous
Toy
Tiger
in
Louisville,
Kentucky.
Keep
in
mind;
we
were
very
Metal
oriented
people
at
the
time.
That
show
was
going
to
be
by
Atlantic
Records
recording
artists
Overkill
and
I
had
the
phone
number
to
Atlantic
Records.
So,
with
one
nervous
first
call,
trying
to
be
as
professional
sounding
as I
could,
I
requested
four
tickets
and
an
interview
with
Overkill
at
this
event…
and
well…I
got
it.
That’s
it!
We
had
our
first
real
interview!
Somewhere
in
this
timeframe,
another
buddy
of
ours
named
Cliff
Wheeler
got
involved
as
well,
and
the
four
of
us,
Dillard,
Riggs,
Cliff
and
myself
finally
made
our
way
to
do
Randomosity’s
first
interview.
It
worked
out
really
well
for
us
that
day,
actually.
Cliff
and
I
ended
up
the
designated
interviewers…
Well,
I
was
the
designated
interviewer,
Cliff
was,
uhm…there.
I
remember
during
the
interview
I
asked
Cliff
a
couple
of
times,
if
he
had
any
questions,
hoping
he
would
bail
me
out
when
I
was
stuck
and
each
time
he
simply
said,
“No,
I
don’t
have
any.”
That
left
me
to
do
the
interview
by
myself,
as I
nervously
laughed
like
Beavis
and
Butthead
every
time
I
asked
a
question
or
replied
to
one
of
Overkill
vocalist
Bobby
"Blitz"
Ellsworth
answers.
I
was
nervous
people
and
was
winging
the
whole
thing!
We
had
just
decided
to
do a
magazine
maybe
2
weeks
earlier
and
now
I
was
setting
on
an
actual
tour
bus
with
a
national
recording
and
touring
artist
for
Atlantic
Records.
We
did
about
a
30+
minute
interview
though
and
Blitz,
was
about
as
cool
as a
person
could
be
to a
very,
very
green
interviewer.
After
the
interview
was
over,
the
four
of
us
Randomosity
guys
met
and
hung
out
with
the
opening
act
for
the
rest
of
the
night.
That
band
was
called
Stick.
They
had
just
released
an
album
on
Arista
Records
and
were
traveling
with
Overkill
for
their
first
actual
tour,
I
believe.
Those
guys
were
awesome
and
made
fans
out
of
all
of
us
that
day.
I
sometimes
wonder
what
happened
to
those
cats.
I
really
dug’m.
I
saw
them
play
a
show
a
few
months
later
with
a
band
called
I
Mother
Earth
and
then
both
bands
just
disappeared
into
to
void
of
lost
bands.
Anyway,
after
that
night
at
the
Overkill/Stick
show,
Randomosity
was
in
full
‘shine
and
ready
to
take
over
the
media
world…
This
was,
unfortunately,
around
the
time
Dillard
decided
to
run
off
and
join
the
circus
as a
rodeo
clown/trapeze
artist,
believe
it
or
not.
I
remember
him
setting
us
all
down
one
emotionally
charged
evening
and
saying
it
was
what
he
was
born
to
do,
blah,
blah,
blah
and
he
had
to
try
it,
blah,
blah,
blah.
The
next
thing
you
know,
he
was
gone.
Last
I
heard,
he
ended
up
getting
gored
pretty
bad
by
the
bearded
lady
and
had
to
retire
though.
Hated
to
hear
about
that…
Dillard’s
exit
left
the
Randomosity
thing
to
Riggs,
now
Cliff
and
myself…
The
upcoming
weeks
would
see
the
Randomosity
dynamic
change
once
again.
I
believe
the
old
creative
differences
might
have
come
into
play.
I
was
pretty
headstrong
into
getting
this
thing
done
by
now,
and
Chris
and
Cliff,
to
me,
wasn’t
doing
much
of
anything
to
help.
I’m
sure
their
side
would
be
different
than
mine,
but…
We
were
basically
looking
into
different
ideas
of
how
to
get
it
done
and
just
couldn’t
agree
on
how
to
do
things.
I
don’t
remember
all
the
specifics,
I
just
remember
arguing
one
day
at
my
place
and
the
next
thing
I
know,
I
was
running
the
show
myself.
I
always
regretted
not
trying
to
do
more
to
keep
things
together
though,
because,
as
with
Dillard,
everything
seemed
to
go
downhill
for
both
Riggs
and
Cliff
following
their
Randomosity
exits.
As
with
Dillard,
both
of
them
gave
up
on
the
idea
of
doing
a
magazine
and
went
onto
other
ventures…
Cliff
went
on
to
sell
AVON
products
in
nursing
homes
all
over
the
county,
all
the
while
developing
an
addiction
to
sniffing
wrinkle
cream
and
eating
mascara.
He
hit
rock
bottom
many
years
later
though,
when
he
was
found,
unconscious,
in a
dumpster,
where
he
had
been
trying
to
smoke
cigarettes
laced
with
facial
foundation
powder
and
feminine
hygiene
products…Rock
bottom
indeed.
He
and
his
twitch
has
never
quite
been
the
same.
A
few
weeks
after
the
Randomosity
split,
Riggs
went
on
to
make
a
bet
with
a 17
year
old
girl,
that
he
was
trying
to
hook
up
with,
that
could
jump
off
a 25
foot
cliff
and
survive,
only
to
find
out
a
second
or
two
from
the
bottom
that
he
might
be
wrong.
It
was
a
truly
sad
situation.
That’s
actually
were
the
legend
of
Flat-Faced-Riggs
originated.
I’m
not
sure
if
you
have
ever
heard
of
that
one
or
not.
I
actually
think
the
TV
show
Destination
Truth
did
and
investigation
of
Flat-Faced-Riggs
a
season
or
two
ago.
I
didn’t
see
the
episode
though,
so
not
sure
what
they
found…
Anyway,
back
to
the
story…I
now
found
myself
going
the
magazine
route
on
my
own,
which
is
when
I
realized
I
had
to
start
recruiting
others
for
help.
I
mean,
I
didn’t
even
own
a
computer
and
I
was
planning
on
doing
a
magazine.
How
would
that
be
possible?
Somewhere
in
this
timeframe,
Shawn
Wilkerson
and
I
became
in
contact
again
and
we
decided
to
start
working
together
to
make
the
Randomosity
Magazine
a
reality.
I
had
been
doing
several
telephone
interviews
(known
as
phoners)
and
had
started
working
with
Shawn
to
get
more
live
interviews
scheduled
and
done,
which
we
were
getting.
He
also
hooked
us
up
with
the
Toy
Tiger’s
all
girl
dance
review
known
as
The
Tiger
Tails,
and
they
had
agreed
to
have
one
girl
featured
in
each
issue.
Things
had
changed
a
bit,
but
things
were
still
a
rolling
for
Randomosity,
indeed.
A
name
change
was
looming
though.
I
remember
setting
at
the
local
mall
one
night
talking
to
yet
another
buddy
named
Adam
Paris
and
he
informed
me
that
A.J.
(who
had
originally
came
up
with
the
Randomosity
word)
may
not
have
been
thrilled
with
the
idea
of
us
using
the
Randomosity
name.
In
no
uncertain
terms,
I
took
it
as
she
was
never
really
asked
or
informed
that
we
were
going
to
use
it
and
with
the
fact
that
Riggs
(the
original
person
to
bring
the
name
up
as a
possibility)
was
no
longer
involved
with
the
Magazine,
I
started
thinking
I
may
need
to
use
a
new,
unaffiliated
name.
I
also
came
to
the
realization
that
the
whole
THF
Productions
idea
was
a
little
outdated
as
well,
being
that
Tom
(Riggs
)
and
Frank
(Dillard)
were
no
longer
involved.
So
that
left
me
with
two
new
names
to
come
up
with;
a
company
name
and
a
Magazine
name.
The
thing
is,
I
really
had
liked
the
THF
Productions
name
for
some
reason.
I’m
not
sure
why.
I
just
liked
it.
I
liked
the
three
letter
thing,
I
guess,
who
knows?
So,
as I
was
trying
to
think
of a
new
company
name
that
was
similar
to
THF,
I
came
up
with
FTF
Productions.
I
had
felt
like
Riggs
and
Dillard,
kind
of
abandoned
the
project
that
we
had
started,
so
in
good-natured
fun
and
humor,
I
came
up
with
F
Tom
&
Frank.
Now,
I
don’t
have
to
explain
the
‘F’,
do
I?
So
that
was
it,
I
had
FTF
(F
Tom
&
Frank)
Productions,
now
I
just
needed
a
new
name
for
the
magazine.
By
this
time,
I
had
decided
that
there
was
a
slim
chance
of
getting
the
funds
I
would
need
to
do
an
actual
magazine,
but
on
the
same
note,
I
didn’t
want
this
to
be
considered
a
Fan-Zine.
This
pushed
me
back
to
the
original
IV
Fanzine
that
Mike
May
had
previously
published.
I
actually
borrowed
heavily
from
how
that
‘Zine
was
put
together.
Really,
it
was
just
a
bunch
of
photocopied
pages
stapled
together;
no
color,
all
black
and
white
and
front
and
back.
This
seemed
like
something
I
could
pull
off.
The
dilemma
was
what
to
call
it.
I
did
not
want
to
use
the
term
Magazine
or
the
term
FanZine.
In
all
actuality,
what
I
wanted
to
do
would
be
part
Magazine,
part
Newsletter.
I
couldn’t
use
the
Randomosity
name,
as I
had
no
rights
to
it,
but
I
liked
the
random
term.
So
that’s
when
it
hit
me…
I
would
call
it
The
Random
Mag-Letter;
part
Randomosity,
part
Magazine
and
part
Newsletter.
The
Random
Mag-Letter…
Now
it
was
time
to
get
something
done…
Oh
yeah,
getting
back
to
Mike
May.
The
damndest
thing
happened
and
I
guess
I
should
probably
bring
it
up
before
I
continue…
Actually,
you
know
what?
I’ll
get
to
that
in
Part
2
of
the
story,
which
will
be
coming
very
soon.
So
stay
tuned
to
find
out
how
my
Music,
Entertainment,
Art
&
Life
Journey
went
from
The
Random
Mag-Letter
to
The
S.C.C.A.M...
Stay
Tuned
for
Part
2!
--Primal